About a week ago, I received a package from SLR Magic containing their new (and as yet unreleased) Anamorphot 2x. also included was their new +1.8 achromatic diopter which brings the focal range within a couple feet of the camera.
As we prepare to transition to 2015, I thought I’d post about transitions in storytelling. A few months ago I saw Jeff Garlin interview Steven Soderbergh live on stage at Largo. Steven was asked, “What is the most important part of the filmmaking process?”
This article was originally published at Film School Rejects.
The other day I saw a discussion on Facebook about whether or not filmmakers should watermark the screeners they send to film festivals. Filmmakers generally seemed to be for it. Festival personnel seemed generally opposed, some citing it as a red flag for the filmmaker’s naiveté – like the people who ask you to sign an NDA before reading their screenplay. In the past, I never felt that obscuring the picture with some text was going to stop the sort of person who was set on pirating my movie, so I didn’t bother with it. Besides, I might argue I had yet to make a movie someone would want to pirate.